Title: Chaucer and the fictions of gender 
Author: Hansen, Elaine Tuttle 1947-
Published: University of California Press,  1992
Subjects: Literature | English Literature | Gender Studies | Medieval  Studies
Publisher's Description: Hansen challenges both the long-standing myth of Chaucer as the tolerant, wise Father of English poetry and the recent arguments that Chaucer was a protofeminist, subversive of the misogyny of his day. Hansen argues that these mistaken interpretations inhibit readings of Chaucer that respond to feminist and other poststructuralist critiques of traditional literary scholarship.Hansen suggests that the woman's voice in Chaucer reflects an urgent problem of gender identity for two kinds of men, both feminized by fourteenth-century courtly conventions: those who love women, and those who traffic in stories about women. She maintains that Chaucer destabilizes the notion of fixed gender difference but then privileges masculine identity by reconstructing the feminine in orthodox ways. Hansen exhorts readers of Chaucer, and students of the history of gender, to approach Chaucer's fictions with a more sophisticated awareness of their complexity and timeliness.   [brief]
Similar Items

Title: Chaucer's Dante: allegory and epic theater in The Canterbury tales 
Author: Neuse, Richard
Published: University of California Press,  1991
Subjects: Literature | English Literature | European Literature | Medieval  Studies
Publisher's Description: Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales . He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human.Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century.   [brief]
Similar Items

Title: The custom of the castle: from Malory to Macbeth 
Author: Ross, Charles Stanley
Published: University of California Press,  1997
Subjects: Literature | European History | English Literature | Medieval  Studies | Renaissance Literature
Publisher's Description: The "custom of the castle" imposes strange ordeals on knights and ladies seeking hospitality - daunting, mostly evil challenges that travelers must obey or even defend. This seemingly fantastic motif, first conceived by Chrètien de Troyes in the twelfth century and widely imitated in medieval French romance, flowered again when Italian and English authors adopted it during the century before Shakespeare's plays and the rise of the novel. Unlike other scholars who have dismissed it as pure literary convention, Charles Ross finds serious social purpose behind the custom of the castle.Ross explores the changing legal and cultural conceptions of custom in France, Italy, and England to uncover a broad array of moral issues in the many castle stories. He concentrates on single scenes that are common to a series of epics, showing how their nuanced narratives reflect real social limits of order, violence, justice, civility, and political conformity. His investigation of masterpieces from the thirteenth-century Lancelot to The Faerie Queene - by way of Malory, Boiardo, and Ariosto - demonstrates for the first time the impact on Shakespeare's plays, particularly Macbeth , of an earlier way of thinking about the strengths and weaknesses of social customs.   [brief]
Similar Items

Title: The disenchanted self: representing the subject in the Canterbury tales 
Author: Leicester, H. Marshall (Henry Marshall) 1942-
Published: University of California Press,  1990
Subjects: Literature | Literary Theory and Criticism | Medieval  Studies
Publisher's Description: The question of the "dramatic principle" in the Canterbury Tales , of whether and how the individual tales relate to the pilgrims who are supposed to tell them, has long been a central issue in the interpretation of Chaucer's work. Drawing on ideas from deconstruction, psychoanalysis, and social theory, Leicester proposes that Chaucer can lead us beyond the impasses of contemporary literary theory and suggests new approaches to questions of agency, representation, and the gendered imagination.Leicester reads the Canterbury Tales as radically voiced and redefines concepts like "self" and "character" in the light of current discussions of language and subjectivity. He argues for Chaucer's disenchanted practical understanding of the constructed character of the self, gender, and society, building his case through close readings of the Pardoner's, Wife of Bath's, and Knight's tales. His study is among the first major treatments of Chaucer's poetry utilizing the techniques of contemporary literary theory and provides new models for reading the poems while revising many older views of them and of Chaucer's relation to his age.   [brief]
Similar Items

Title: Early Gothic Saint-Denis: restorations and survivals 
Author: Blum, Pamela Z
Published: University of California Press,  1992
Subjects: Art | Architectural History | Art History | Medieval  Studies | Archaeology
Publisher's Description: quality. Indeed, the well-preserved sculptural passages provide a key to the Early Gothic style as well as revealing the distinct imprints of three artists and their influences on each other. Blum's penetrating analyses of the restorative techniques and materials are accompanied by telling photograph-diagrams that distinguish the original work from that done later.Pamela Blum's investigation has relevance not only for students and scholars of medieval art but for curators and collectors as well. Anyone concerned with survivals from the past will appreciate her scrupulous detection in studying one of France's greatest monuments.   [brief]
Similar Items

Title: The forgotten hermitage of Skellig Michael 
Author: Horn, Walter William 1908-
Published: University of California Press,  1990
Subjects: Architecture | Art | Architectural History | Medieval  Studies
Publisher's Description: This book is a dramatically told and visually stunning account of a ninth-century hermitage discovered on the South Peak of Skellig Michael, an island off the west coast of Ireland. It is the story, pieced together from fragmentary remains, study, and conjecture, of a man's attempt to live on a tiny ledge some 700 feet above the Atlantic on the outer edge of the European land mass, alone, as close to God as possible, in what is perhaps the ne plus ultra of ecstatic monastic solitude.Richly illustrated with maps, plans, and photographs that capture both the astonishing beauty and isolation of the hermitage, the text also includes reconstruction drawings of the site that combine a surveyor's accuracy with an artist's imaginative response to the hermit who found spiritual refuge on a pinnacle.   [brief]
Similar Items

Title: Holland under Habsburg rule, 1506-1566: the formation of a body politic 
Author: Tracy, James D
Published: University of California Press,  1990
Subjects: History | European History | Politics | Medieval  Studies
Publisher's Description: Under what conditions were limited forms of self-government possible in medieval and early modern Europe? While many historians have sought an answer by focusing on the development of parliamentary institutions in emerging national monarchies, or investigating the wider autonomy enjoyed by various city-states within their own borders, James Tracy looks instead at an intermediate level of political organization, the self-governing province. Readers of medieval and early modern European history will learn here how the province of Holland, during the reigns of Charles V and Philip II (1506-1566), effectively underwent an apprenticeship in self-government.   [brief]
Similar Items

Title: The honeysuckle and the hazel tree: medieval stories of men and women 
Author: Terry, Patricia Ann 1929-
Published: University of California Press,  1995
Subjects: Literature | Literature in Translation | European Literature | Poetry | Literary Theory and Criticism | French Studies | Medieval  Studies | Gender Studies
Publisher's Description: Known for her fine translations of octosyllabic narrative verse, Patricia Terry presents translations of four major practitioners of this dominant literary form of twelfth- and thirteenth-century France. Her introduction discusses the varying views of women and love in the texts and their place in the courtly tradition.From Chrétien de Troyes Terry includes an early work, Philomena , here translated into verse for the first time. The other great writer of this period was Marie de France, the first woman in the European narrative tradition. Lanval is newly translated for this edition, which also features four of Marie's other poems. The collection further includes The Reflection by Jean Renart, known for his realistic settings; and the anonymous Chatelaine of Vergi , a fatalistic and perhaps more modern depiction of love.   [brief]
Similar Items

Title: Imaging Aristotle: verbal and visual representation in fourteenth-century France 
Author: Sherman, Claire Richter
Published: University of California Press,  1995
Subjects: Art | Art History | Medieval  Studies
Publisher's Description: Nicole Oresme's translation of Aristotle's Nicomachean Ethics, Politics, and Economics into French from Latin in the 1370s is the subject of Claire Sherman's stunningly illustrated book. Though both the text translations and their images have been studied separately, this is the first time they are published in their entirety and considered together.Intended for an audience of Charles V, his counselors, and high-ranking lay people, these manuscripts are significant for their linguistic and political implications, for moving Aristotle's work beyond clerical and university boundaries, and for reflecting the dynamics of monarchic control of French language and culture. Sherman shows the importance of Oresme's role as translator and book designer. She also explores the gender and class representations in the imagery, relating them not only to the views of Oresme and his audience but also to the contemporary secular culture.   [brief]
Similar Items

Title: Italian music incunabula: printers and type 
Author: Duggan, Mary Kay Conyers
Published: University of California Press,  1992
Subjects: Music | Musicology | Medieval  Studies
Publisher's Description: Musical notation presented unusual challenges to the new craft of printing in the fifteenth century. Its demands were so difficult that the first impression of music from metal type was not made until a full twenty years after the first printed alphabetic texts. By the end of the century dozens of such fonts had appeared throughout Europe. The books that resulted were often impressive volumes of folio or large-folio size, printed in two colors, with woodcut illustrations.Mary Kay Duggan focuses on the technological processes developed in Italy to print music books. She begins by tracing the history and analyzing the techniques of casting and setting type and staves. She then identifies, classifies, and examines thirty-eight specific types. Finally, the author has compiled a descriptive bibliography of Italian music incunabula, including books containing either printed music or blank spaces for the insertion of manuscript music. Italian Music Incunabula marks a major advance in the study of the paleotypography of music. It greatly enhances our understanding of the impact of the printing press on music and the importance of music books in the work of early printers. Its meticulous bibliography of over 150 incunabula, concordances, and indices will make it the standard reference work for many years to come.   [brief]
Similar Items

Title: Jews in the notarial culture: Latinate wills in Mediterranean Spain, 1250-1350 
Author: Burns, Robert Ignatius
Published: University of California Press,  1996
Subjects: Medieval  Studies | Judaism | Jewish Studies | European History | Law | Medieval History
Publisher's Description: In the rapidly transforming world of thirteenth-century Mediterranean Spain, the all-purpose scribe and contract lawyer known as the notary became a familiar figure. Most legal transactions of the Roman Law Renaissance were framed in this functionary's notoriously hasty shorthand. Notarial archives, then, offer a remarkable window on the daily life of this pluri-ethnic society. Robert I. Burns brings together the testimony of a multitude of documents, and transcribes in full nearly fifty will-related charters prepared by notaries, to give a never-before-seen view of Jewish society in that place and time.Wills can display the religious conscience, ethical institutions, social mobility, and property dynamics of whole groups or regions. Even a single testament allows a glimpse into the testator's family and into the life and times of the living person. Burns devotes special attention to women in wills and to women's wills, extracting rich information on medieval women and gender relationships.While learning much about the role of kings and courts and the dynamics of Christian-Jewish relations, the reader also gains rare insights into a unique Jewish community.   [brief]
Similar Items

Title: Knights at court: courtliness, chivalry, & courtesy from Ottonian Germany to the Italian Renaissance 
Author: Scaglione, Aldo D
Published: University of California Press,  1992
Subjects: Literature | European Literature | Medieval  Studies | Renaissance Literature
Publisher's Description: Knights at Court is a grand tour and survey of manners, manhood, and court life in the Middle Ages, like no other in print. Composed on an epic canvas, this authoritative work traces the development of court culture and its various manifestations from the latter years of the Holy Roman Empire (ca. A.D. 1000) to the Italian Renaissance of the fifteenth and sixteenth centuries.Leading medievalist and Renaissance scholar Aldo Scaglione offers a sweeping sociological view of three geographic areas that reveals a surprising continuity of courtly forms and motifs: German romances; the lyrical and narrative literature of northern and southern France; Italy's chivalric poetry. Scaglione discusses a broad number of texts, from early Norman and Flemish baronial chronicles to the romances of Chrétien de Troyes, the troubadours and Minnesingers. He delves into the Niebelungenlied, Dante, Petrarch, Boccaccio, and an array of treatises on conduct down to Castiglione and his successors.All these works and Scaglione's superior scholarship attest to the enduring power over minds and hearts of a mentality that issued from a small minority of people - the courtiers and knights - in central positions of leadership and power. Knights at Court is for all scholars and students interested in "the civilizing process."   [brief]
Similar Items

Title: Made in God's image?: Eve and Adam in the Genesis mosaics at San Marco, Venice 
Author: Jolly, Penny Howell
Published: University of California Press,  1997
Subjects: Art | Art History | Medieval  Studies | Women's Studies | Religion
Publisher's Description: The stunning mosaics that illustrate the story of Creation in the church of San Marco in Venice are the focus of Penny Howell Jolly's compelling and provocative book. Scholars of medieval art have long been interested in the Genesis mosaics because they copy a nearly destroyed fifth-century illuminated Greek manuscript known as the Cotton Genesis. But instead of seeing the mosaics as a vehicle for reconstructing a lost cycle of paintings, Jolly presents them as a social document revealing the essential misogyny that existed in thirteenth-century Venice. Jolly analyzes more than twenty scenes, one by one in narrative order, and her perceptive reading goes well beyond what the Genesis Vulgate text says about Eve and Adam. The mosaics establish Eve as the culpable character from the very moment of her Creation, says Jolly, and depict her as dangerous and unrepentant at the end. Incorporating both feminist religious and narratological studies, Jolly poses important questions on the nature of visual language as opposed to verbal language. The very ability of visual forms to recall a rich variety of references is one source of their power, and propaganda must have enough breadth of reference to be read by diverse groups. The San Marco cupola, Jolly maintains, is dealing in powerful propaganda, and her pictorial observations offer an articulate and refreshing new view of this well-known work.   [brief]
Similar Items

Title: The master and Minerva: disputing women in French medieval culture 
Author: Solterer, Helen
Published: University of California Press,  1995
Subjects: Literature | European Literature | Literary Theory and Criticism | Medieval  Studies | Women's Studies | French Studies
Publisher's Description: Can words do damage? For medieval culture, the answer was unambiguously yes. And as Helen Solterer contends, in French medieval culture the representation of women exemplified the use of injurious language.Solterer investigates the debates over women between masters and their disciples. Across a broad range of Old French literature to the early modern Querelle des femmes , she shows how the figure of the female respondent became an instrument for disputing the dominant models of representing women. The female respondent exploited the criterion of injurious language that so preoccupied medieval masters, and she charged master poets ethically and legally with libel. Solterer's work thus illuminates an early, decisive chapter in the history of defamation.   [brief]
Similar Items

Title: Memory and re-creation in troubadour lyric 
Author: Van Vleck, Amelia Eileen
Published: University of California Press,  1991
Subjects: Literature | European Literature | Medieval  Studies
Publisher's Description: In spite of the fame of individual singers, many of whose names are legendary, the songs of the troubadours often come to us in multiple versions, each with a different sequence of stanzas. What accounts for this variability? Authorial self-effacement might explain why much anonymous medieval poetry was "reworked," but Amelia Van Vleck argues that this answer will not suffice when the author of the song is well known and admired.Van Vleck outlines a new way of reading troubadour lyric by questioning the belief that chansonniers were compiled from song-sheets tracing back to written "authorized" copies. She challenges the very appropriateness of a concept of "text" as applied to troubadour lyric. Instead of superimposing a nineteenth-century notion of "lyric poetry" on these songs, reading them as "perfect" texts and attempting to re-establish an "authentic" version through textual criticism, we must, she claims, become aware of these songs as potential performances with moveable parts, each version a realization of the whole song. Van Vleck concludes that it was primarily the voice, not the pen, that created (and re-created) this innovative body of poetry that forms the very foundation of the Western European lyric.   [brief]
Similar Items

Title: The naked text: Chaucer's Legend of good women 
Author: Delany, Sheila
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | Medieval  Studies | English Literature | Gender Studies
Publisher's Description: A sequel to her seminal book on Chaucer's House of Fame , Sheila Delany's elegant and innovative study of Chaucer's Legend of Good Women explores what it meant to be a reader and a writer, and to be English and a courtier, in the late fourteenth century. The richness of late medieval art, philosophy, and history are powerfully brought to bear on one of Chaucer's most controversial works. So too are the insights of modern critical theory - semiotics, historicism, and gender studies especially - making this a unique achievement in medieval and Chaucerian studies.Delany's strikingly original readings of Chaucer's Orientalism, his sexual wordplay, his theological attitudes, and his treatment of sex and gender have given us a Chaucer for our time.   [brief]
Similar Items

Title: A new world in a small place: church and religion in the Diocese of Rieti, 1188-1378 
Author: Brentano, Robert 1926-
Published: University of California Press,  1994
Subjects: History | Religion | Christianity | European History | Medieval History | Medieval  Studies
Publisher's Description: Distinguished historian Robert Brentano provides an entirely new perspective on the character of the church, religion, and society in the medieval Italian diocese of Rieti from 1188 to 1378. Combing through a cache of previously ignored documents stored in a tower of the cathedral, he uses wills, li . . . [more]
Similar Items

Title: Nuptial arithmetic: Marsilio Ficino's commentary on the fatal number in Book VIII of Plato's Republic 
Author: Allen, Michael J. B
Published: University of California Press,  1994
Subjects: Classics | Philosophy | Medieval  Studies | Renaissance History
Publisher's Description: The latest of Michael Allen's distinguished studies of the Renaissance Neoplatonist, Marsilio Ficino (1433-1499), presents a difficult, fascinating text. Late in his career, Ficino wrote a commentary on the intractable passage in Book VIII of Plato's Republic that concerns the mysterious geometric or "fatal" number. He was thus the first modern interpreter of this famous passage, and Allen is the first in our era to translate and elucidate his remarkable commentary.Allen's critical translation of Ficino's analysis of the fatal number passage shows how it develops philosophical, psychological, numerological, astrological, and prophetic themes that had a particular resonance at the end of the fifteenth century.   [brief]
Similar Items

Title: The other economy: pastoral husbandry on a medieval estate 
Author: Biddick, Kathleen
Published: University of California Press,  1989
Subjects: History | European History | Medieval  Studies
Publisher's Description: While the cereal agriculture of medieval Europe has been studied exhaustively, the pastoral resources and livestock husbandry of medieval estates have been seriously neglected. Kathleen Biddick's examination of one estate, Peterborough Abbey, during several decades before and after 1100 and the first decade after 1300, brings a new balance to the subject of the medieval economy. Her pioneering methodology and the conclusions she reaches will interest archaeologists and agricultural historians as well as anthropologists, economists, and historians of early European development.Drawing on the archival records of the abbey, an estate that straddled the "classic" open-field agriculture of the English Midlands and the more pastorally-oriented farming of the English peat fens, Biddick describes in great detail how these farmers managed their herds and consumed and marketed livestock products such as meat, wool, hides, milk, and cheese. Commitment to conserving consumption strategies did not mean that the Abbey resisted market involvement and technological innovation. Large numbers of work and cart horses indicate the estate's economic interest in speedy haulage. Cereal yields, where they are calculable, compare favorably to the high-yielding demesnes of parts of Norfolk, the most agriculturally advanced region of medieval England. By showing how the Abbey coordinated its resources to enhance diversity and flexibility, The Other Economy enlarges our understanding of agrarian lordship and political control over resources in the medieval economy.   [brief]
Similar Items

Title: Rome before Avignon: a social history of thirteenth-century Rome 
Author: Brentano, Robert 1926-
Published: University of California Press,  1991
Subjects: History | European History | Medieval History | Religion | Medieval  Studies
Publisher's Description: Robert Brentano evokes papal Rome in all its paradox and complicated brilliance. From a detailed re-creation of the physical "town" with its series of brick campanili and green and purple mosaic floors, to the intrigues of the great families, like the Orsini and Colonna, the reader is guided through complex and fascinating culture. Brentano's skill lies in his ability to combine the story of the vaulting ambition of the great families, only mildly tempered by their very real religious piety, with a vivid reconstruction of everyday life in postclassical Rome.   [brief]
Similar Items